Canon R50V, we are Sony Z10 Mark II. Let’s discuss the major differences between the two, then we will do some deep core specification analysis so you can understand very clearly which camera you should buy.
Canon R50 V Specifications and Pricing
Initially, the Canon R50 V camera is available with a 24-megapixel DPAF CMOS sensor, the same sensor that is being used by entry-level cameras such as Canon R50 and Canon R10. If you buy it with a kit lens, you have to pay approximately $849, and when you are buying the body only, you have to pay approximately $649.
Sony Z10 Mark II Specifications and Pricing
Now, the Sony Z10 Mark II camera was released on July 10, 2024, and uses a 26-megapixel APS-C BSI CMOS sensor from FX30 or Sony A6700 camera, meaning it’s a flagship sensor. With a kit lens, you have to pay $1,099, and without a kit lens, you have to pay only $999.
So, the Canon body is a lot more affordable compared to the Sony Z10 Mark II camera. Now, let’s dive deep into the detailed core specifications of both cameras.
Key Differences in Sensor Technologies
So, initially, we have some basic differences between the two. The Canon uses an FSI CMOS sensor with a resolution from entry-level models, and the Sony Z10 Mark II uses a BSI CMOS sensor from higher-end models. Along with that, we also have a price difference between the two.
Best Camera for Recording 4K 60p Video
Crop Factor Comparison
If you compare both the Canon R50 V and Sony ZV-E10 Mark II, the advantage of the Sony ZV-E10 Mark II camera is clearly visible as it does only a 1.1x crop while recording 4K 60p video. On the other side, we have the Canon R50 V camera, which does a 1.5x crop while recording 4K 60p video. Both cameras allow you to record 10-bit videos at 4K 60p, but at the same time, you have to face a crop in Canon.
Usability and Stabilization
Usability-wise, the Sony ZV-E10 Mark II camera is more usable since, even while recording 4K 60fps with a crop, we can utilize the Active SteadyShot mode as well as the gyro-based image stabilization mode. If you are shooting handheld videos, that will, in turn, help you get stable footage without a gimbal. The electronic image stabilization (EIS) is very effective when you are using it at 30fps or 24fps recording. However, since it already has a very significant 1.5x crop, it doesn’t work that well.
Final Recommendation for high-speed 4k videos
So, overall, for 4K 60fps recording, we highly recommend you to get the Sony ZV-E10 Mark II camera. Codec and Color Depth in Both Cameras
Video Codecs
Canon R50 V Video Capabilities
Now, with a 24-megapixel FSI CMOS sensor, our recently announced Canon R50 V camera is able to record 10-bit 4:2:2 videos in H.265 or H.264 codec. You can also record your videos in Canon Log 3 as well as in HLG HDR modes—all these features are available in this entry-level model.
Sony Z10 Mark II Video Capabilities
With a 26-megapixel BSI CMOS sensor, Sony does the same. It also records 10-bit 4:2:2 videos in XAVC HS (H.265) and XAVC S (H.264). Additionally, it supports S-Log2, S-Log3, and Hybrid Log Gamma (HLG), offering up to 14 stops of dynamic range.
Comparison and Conclusion
So, in terms of video codec, both cameras record the same 10-bit videos, and neither of them has any limitations over log profiles or any other video codec restrictions. In terms of usability for beginners, videographers, and content creators, both cameras perform well. We are not discussing professional use at this moment.
Detailed Video Specifications Comparison Table
Feature
Canon R50V
Sony ZV-E10 Mark II
Max Video Resolution
4K 60p (cropped, crop factor unspecified), 4K 23.98p (assumed uncropped based on preview)
4K 60p (1.1x crop), 4K 30p/24p (uncropped, oversampled from 5.6K)
Full HD Capabilities
1080p up to 120p (implied from slow-motion options)
1080p up to 120p
Video Codecs
H.265, H.264 (10-bit 4:2:2 internal without log)
XAVC HS (H.265), XAVC S (H.264) (10-bit 4:2:2 internal)
Color Profiles
C-Log, custom picture profiles from Canon cinema series
Cropped in 4K 60p (extent unspecified), uncropped in 4K 23.98p (assumed)
1.1x crop in 4K 60p, uncropped in 4K 30p/24p
Best Camera for Live Streaming
Canon R50 V Live Streaming Capabilities
The recently announced Canon R50 V supports streaming up to 4K 60fps via USB-C, but at the same time, you have to consider the fact that it still has a 1.5x crop. This means you need to use ultra-wide-angle lenses when placing the camera in front of you.
Sony ZV-E10 Mark II Live Streaming Capabilities
On the other hand, in the Sony ZV-E10 Mark II, video streaming or USB streaming remains limited to 4K 30fps via UVC/USC.
Comparison and Conclusion
So, you can consider the Canon R50 V as a clear winner in terms of streaming capability, but it also suffers from a crop limitation, which you need to keep in mind while choosing between these two cameras.
Canon R50V Autofocus Capabilities
Canon R50V camera uses a Dual Pixel CMOS autofocus sensor paired with DIGIC X image processor, and according to Canon’s official press release, they are using the same autofocus AF algorithm as they have used in the Canon R5 Mark II camera. The camera also includes subject tracking modes, which include birds, animals, airplanes, moving vehicles, as well as one of the most important modes that has been added to this camera—face registration. Here, you can technically register one, two, or multiple faces, and even in a crowd when you are creating a video sequence, like when you’re doing wedding cinematography. Then, even in a crowd, if you have already registered the bride and groom’s faces in the camera, it will track only those two.
Sony ZV-E10 Mark II Autofocus Capabilities
Now, in the Sony ZV-E10 Mark II camera, we have an advanced video autofocus tracking mode, which is directly coming from the Sony A7R V. It does have predictive AI tracking, just as we have seen in higher-end Sony models, so it is also very good at predicting human faces, human bodies, animals, birds, and eyes. Moreover, the camera also has a built-in AI auto-framing mode, which, in turn, the Canon R50 V doesn’t have. This particular AI auto-framing mode helps content creators, especially solo content creators—those who create cooking videos in a single room. The camera will automatically track them and crop them in a frame, like the way a professional cinematographer shoots their movement.
Best Camera with Usable AF
So, each of these cameras does have brilliant autofocus tracking capability and some specialized modes. The Canon R50 V is more suitable for wedding cinematography, where you can register people’s faces for autofocus tracking, whereas in the Sony ZV-E10 Mark II camera, we have AI auto-framing mode, which is more useful for content creators.
Canon R50 V Image Stabilization
Canon R50 V camera is a base model, and we are not able to expect too much out of it. Since the absence of sensor-shift image stabilization looks a bit logical to me, any camera maker out there is not offering any sort of IBIS mechanism in that price range. Although the camera does have EIS (Electronic Image Stabilization), which is effective for video, you have to use ultra-wide-angle lenses when you are using EIS in the camera for creating content or shooting any sort of videos. But keep in mind that EIS is only effective in shooting videos, not in still photography.
Sony ZV-E10 Mark II Image Stabilization
Sony ZV-E10 Mark II camera comes at a higher price, and at least we were expecting the presence of some sort of IBIS feature inside it. But for video recording purposes, we do get Active I.S. inside this camera, supported with a gyro-based image stabilization system. So, specifically, when you are using gyro, you get very stable footage with minimal crop, but you have to post-process it on your laptop or PC using Sony Catalyst Browse software. Other than that, we have Active I.S. mode, where Sony does crop significantly, but we do get gimbal-like stable footage from the camera.
Final Comparison
So overall, none of the cameras feature sensor-shift image stabilization systems, but in the Sony ZV-E10 Mark II camera, we do have gyro-based image stabilization as well as Active Mode, which is very effective.Price-wise, what we are getting in Canon R50 V also looks very logical to me, specifically if you are into content creation. So, it’s very obvious that if you are paying a bit higher price for a camera body like the Sony ZV-E10 Mark II, you will get better image stabilization performance, which is specifically made for videographers and cinematographers.
Audio Specifications
Feature
Canon R50V
Sony ZV-E10 Mark II
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Onboard Microphone
Standard stereo mic (not emphasized as vlogging-specific)
Directional 3-capsule mic with windscreen (optimized for vlogging, improved over original)
Digital Audio Support
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics)
Multi-interface shoe (digital audio with compatible Sony mics, e.g., ECM-W2BT)
Body Design & Battery Life
Body design-wise, both cameras are the same, and even the weight is almost equal, at under 400 grams. However, in the Sony ZV-E10 Mark II camera, we get a deeper hand grip as well as a battery life similar to that of a full-frame camera. The NP-FZ100 battery is capable of giving you approximately 610 shots and more than 2 hours of continuous 4K 30p video recording.
Body Design
Feature
Canon R50V
Sony ZV-E10 Mark II
Dimensions
Not specified (likely similar to R50: 116 x 86 x 69 mm)
121 x 68 x 54 mm
Weight
Not specified (likely ~375g with battery, based on R50)
377g (with battery and SD card)
Viewfinder
None (EVF omitted to reduce cost)
None
Screen
3-inch vari-angle LCD (lower resolution than R50, exact dots unspecified)
Digital hot shoe (24-bit, 4-channel audio support)
Multi-interface shoe (digital audio support)
Wireless
Wi-Fi (version not specified), Bluetooth (assumed based on R50)
Wi-Fi (2.4 GHz), Bluetooth 5.0
Battery and Storage
Feature
Canon R50V
Sony ZV-E10 Mark II
Battery Type
LP-E17 (same as R50)
NP-FZ100 (larger capacity than original ZV-E10’s NP-FW50)
Battery Life (CIPA)
Not specified (likely ~230 shots based on R50)
610 shots (significant improvement over ZV-E10’s 440 shots)
Charging
USB-C charging supported
USB-C charging supported (faster charging with PD support)
Storage
Single SD slot (UHS-II)
Single SD slot (UHS-II support, faster than ZV-E10’s UHS-I)
In contrast, the Canon R50 V camera uses the regular LP-E17 battery, which offers approximately 230 shots and around 1 hour and 20 minutes of 4K 30p video recording.
Still Photography & Sensor Comparison
For still photography, the Canon R50 V camera uses a 24-megapixel FSI CMOS sensor and supports up to 12 FPS with an Electronic First Curtain Shutter (EFCS) and approximately 15 FPS with an electronic shutter.
Whereas in the Sony ZV-E10 Mark II camera, we have a 26MP BSI CMOS sensor with a maximum continuous shooting speed of 11 FPS, limited to an electronic shutter only.Technically, having an EFCS sensor-based camera is a better option if you’re planning to shoot sports or wildlife photography.
As we all know, Canon’s 100-400mm lens is also available at a budget-friendly price, making it a great pair for those into sports and wildlife photography, as well as content creation. However, at the same time, we must consider the advantage of a 26MP BSI CMOS sensor.
Feature
Canon R50V
Sony ZV-E10 Mark II
Resolution
24MP
26MP
Burst Shooting
15 fps (electronic), 12 fps (electronic first curtain)
11 fps (mechanical/electronic)
RAW Support
Yes
Yes (Compressed/Uncompressed)
Image Stabilization
None (lens-based only)
None (lens-based only)
Final Decision
If you are not into sports and wildlife photography and are looking for higher detail, better low-light performance, and enhanced dynamic range, then getting a 26MP sensor will be a better decision.
Final Conclusion: Which Camera is Best for You—Canon R50 V or Sony ZV-E10 Mark II?
Tailored for Videographers & Content Creators
Both of them are custom-tailored for videographers or content creators, and the best part is Canon is offering us a 10-bit video recording mode in a budget body. But at the same time, we do have some limitations, like having a 1.5x crop in 4K 60 FPS mode. Other than that, we also have limitations in the Canon RF mount, which actually limits us in selecting budget lenses.
Canon Lens Availability & Limitations
So even if you have purchased a budget body from Canon, then it will be a bit hard to find a usable prime lens within budget. Specifically, if you have purchased the Sony ZV-E10 Mark II camera by paying a bit higher price, you can use lenses like Viltrox Air series, which come at a very low price with usable high-grade optics.
Choosing Based on Personal Requirement
But again, it all depends upon your own personal requirement and usage. If you have already sorted out the best lenses that you are going to use for the Canon R50 V camera and having a crop in 4K 60 FPS mode doesn’t bother you, then without a doubt, the R50 V is much more usable for you.
Advantages of Sony ZV-E10 Mark II
Similarly, in the Sony ZV-E10 Mark II camera, we are getting uncropped 4K 60 FPS mode, we are getting active image stabilization as well as AI autofocus and ZV-E10’s in-body stabilization, plus some extra features and extra battery life in the Sony camera. The most important factor is the range of lenses available for the ZV-E10 Mark II.
Final Verdict
So for me, the best budget camera is the Canon R50 V, but if you consider lens availability, then you have to spend a lot more to get perfect Canon lenses for your camera.
Let’s compare the specifications of the Canon R50V and Sony ZV-E10 cameras. We are also focusing on their video graphics features. Both specifications are up to date as of March 26, 2025. Enjoy the specs comparison between the two.
Specification Comparison Table: Canon R50V vs Sony ZV-E10
Category
Canon R50V
Sony ZV-E10
Release Date
March 26, 2025
July 27, 2021
Sensor
24MP APS-C CMOS
24.2MP APS-C Exmor CMOS
Processor
DIGIC X
BIONZ X
Lens Mount
Canon RF-S (compatible with RF lenses)
Sony E-mount
Native ISO Range
ISO 100-32,000, extendable to 51,200
ISO 100-32,000 (expandable to 50-51,200)
Video Specifications
Feature
Canon R50V
Sony ZV-E10
Max Video Resolution
4K 60p (cropped), 4K 23.98p (assumed uncropped based on preview footage)
4K 30p (1.23x crop), 4K 24p (uncropped, oversampled from 6K)
Full HD Capabilities
1080p up to 120p (implied from slow-motion options)
1080p up to 120p
Video Codecs
H.265, H.264 (10-bit 4:2:2)
XAVC S (H.264, 8-bit 4:2:0)
Color Profiles
C-Log3, custom picture profiles from Canon cinema series
S-Log2, S-Log3, HLG
Internal Recording
10-bit internal recording with C log
8-bit internal recording S Log
Streaming
4K 30p via USB-C (dedicated quick streaming button)
720p via USB-C (requires software setup, no 4K streaming natively)
Slow Motion
1080 120p Supported with option to bake in or exclude audio (specific frame rates not detailed)
1080p 120p (no audio baking options specified)
Recording Limit
Not specified / No limit
No recording time limit
Autofocus in Video
Dual Pixel AF II (fast, reliable tracking, eye detection)
Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode
Stabilization
No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further)
No IBIS, Active SteadyShot (digital, ~1.44x crop in Active mode), lens OSS support
Cinematic Features
“Peter McKinnon mode” (baked-in cinematic bars)
No SCinetone mode
Audio Specifications
Feature
Canon R50V
Sony ZV-E10
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Onboard Microphone
Standard stereo mic (not emphasized as vlogging-specific)
Directional 3-capsule mic with windscreen (optimized for vlogging)
Digital Audio Support
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics)
Multi-interface shoe (digital audio with compatible Sony mics)
Body Design
Feature
Canon R50V
Sony ZV-E10
Dimensions
116 x 86 x 69 mm
115 x 64 x 45 mm
Weight
~375g with battery
343g (with battery and SD card)
Viewfinder
None (EVF omitted to reduce cost)
None
Screen
3-inch vari-angle LCD 1.04 Mdot
3-inch fully articulated LCD (921k dots)
Tally Light
Yes (front-facing, with red box on screen)
Yes (red tally light on front)
Vertical Video Support
Quarter-20 mount on side for vertical tripod/gimbal use
No dedicated vertical mount
Weather Sealing
None
None
Ergonomics
Compact, lightweight, minimal grip
Compact, lightweight, minimal grip
Ports and Connectivity
Feature
Canon R50V
Sony ZV-E10
USB
USB-C (supports streaming and charging)
USB-C (supports streaming and charging)
HDMI
Micro HDMI
Micro HDMI
Microphone Port
Yes (3.5mm)
Yes (3.5mm)
Headphone Port
Yes (3.5mm)
Yes (3.5mm)
Remote Port
Yes (2.5mm)
No
Hot Shoe
Digital hot shoe (24-bit, 4-channel audio support)
Multi-interface shoe (digital audio support)
Wireless
Wi-Fi 5
Wi-Fi (2.4 GHz), Bluetooth 4.1
Battery and Storage
Feature
Canon R50V
Sony ZV-E10
Battery Type
LP-E17
NP-FW50
Battery Life (CIPA)
270 shots per charge
440 shots
Charging
USB-C charging supported
USB-C charging supported
Storage
Single SD slot UHS-II
Single SD slot UHS-I
Still Photography
Feature
Canon R50V
Sony ZV-E10
Resolution
24MP
24.2MP
Burst Shooting
15 fps (electronic), 12 fps (electronic first curtain)
11 fps (mechanical/electronic)
RAW Support
Yes
Yes
Image Stabilization
None (lens-based only)
None (lens-based only)
Price and Kit Options
Feature
Canon R50V
Sony ZV-E10
Body Only
$649
$699
Kit Option
$849 with RF-S 14-30mm f/4-6.3 PZ IS STM (22-48mm equiv.)
$799 with E PZ 16-50mm f/3.5-5.6 OSS (24-75mm equiv.)
Lens Ecosystem
RF-S (limited native APS-C lenses, full RF compatibility)
E-mount (extensive native APS-C and full-frame options, third-party support)
Additional Features
Feature
Canon R50V
Sony ZV-E10
Vlogging Features
Tally light, vertical mount, quick streaming button, cinematic bars, Canon’s own product showcase mode, and many new features
Product Showcase mode, Background Defocus button, directional mic
Customizability
Custom picture profiles from the cinema series
SCinetone Missing
Firmware Updates
Not applicable yet (preview model)
Regular updates (e.g., improved streaming with firmware v2.00)
Conclusion: Canon R50V vs Sony ZV-E10
The Canon R50 V camera features updated video recording capability, including 10-bit 4:2:2 internal recording and 4K video recording up to 60 frames per second. Although the Sony ZV-E10 camera has a 1.5x crop, the 60 FPS 4K mode is unavailable.
Even in the live streaming option, the Canon R50 V can live stream up to 4K 60 FPS. Additionally, in the body, you get a vertical mount to record vertical videos for YouTube Shorts, Instagram, or other media networks.
Even in 4K 30 FPS mode, you can record with a dedicated Canon Cinema US profile as well as 10-bit internal recording. So specifically, when we compare it with the Sony ZV-E10, Canon does excel with the 10-bit mode.
The only reason Sony excels now is the vast lens found in the E-mount. We have a range of options, and nowadays, even Viltrox AF lenses are available at very affordable prices and can be easily purchased for the Sony ZV-E10 camera. On the other side, in Canon R50 V, we have a very limited number of lenses, so you have to choose wisely—either go with a higher-priced Sony body like ZV-E102 and later buy affordable lenses or get the R50 V and pay for pricier lenses.
However, we will soon bring a comparison with the Sony ZV-E10 II camera as well.
Canon finally announced the Canon R50V camera. The camera is composed of almost the same core specifications that we have seen in the Canon R50 camera, but it is more focused on content creators. It is a direct competitor to the Sony ZV-E10 camera, so it carries all the possible goodness that we have already seen in the Sony ZV-E10 as well as the Canon R50 camera.
The camera features a 24-megapixel CMOS Dual Pixel autofocus sensor with a DIGIC X image processor. The camera is able to record 4K 30 FPS uncropped videos and Full HD videos up to 120 frames per second. You can also record 4K videos up to 60 frames per second with a 1.5x crop. 10-bit recording is available but limited to HDR PQ mode. A headphone port is also available in this camera to monitor your audio recording, along with an upgraded microphone for better audio capture.
The camera will be priced at $649 for the body only, or $849 for the kit with the RF-S15-30mm, and will start shipping in April 2025.
Canon RV Camera available at B&H Store | Adorama.com | amazon.com
For All Creators: Canon’s New PowerShot V1 and EOS R50 V Expand EOS/PowerShot V Series
MELVILLE, N.Y., – March 26, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, answers the needs of video creators with the new PowerShot V1 and EOS R50 V. Both cameras are part of Canon’s growing EOS/PowerShot V Series which seeks to help all creators, including cinema, livestreaming, vlogging, and VR, heighten their visual story telling.
Canon Reinvigorates Point-and-Shoot
If you’re a creator, you want the ability to pursue your own visual expression without compromising quality. Something lightweight and compact that can be used anytime or anywhere to lift your vision forward—a camera that works with you. Designed with a smart and modern concept, the PowerShot V1 is a reliable partner boasting key features including:
A newly designed grip created for both normal and selfie shooting.
Ultra wide-angle zoom lens—approximately 17-52mm for movie recording and 16-50mm/F2.8-4.5 for still imagery.
New 1.4 type sensor with approximately 22.3 megapixels for stills.
Dual Pixel CMOS AF II for PowerShot for improved AF speed and subject detection tracking performance when compared to the PowerShot G7 X Mark III.
A cooling fan inside the body to help enable longer video recording.
A still image/movie shooting switch for quick and easy transition—the first in a PowerShot camera.
Continuous still shooting at up to approximately 30 frames per second, a mechanical shutter with a maximum speed of 1/2000 seconds, and an electronic shutter with a maximum shutter speed of 1/16,000 seconds.
The Canon PowerShot V1 is also designed with workflow top of mind. Creators can leverage high quality video calls and livestream on a PC with a single USB cable, and the camera works intelligently with smartphones—both wired and wirelessly—via the Canon Camera Connect app.
Cinema Quality in the Palm of Your Hand
A movie-focused, high-performance camera that can fit in the palm of your hand? Yes—it does exist, with the EOS R50 V. The legacy of Cinema EOS technologies is splashed throughout, making EOS R50 V one for all creators who have high artistic ambitions to take to the next level. Key features include:
Video-focused design elements such as a livestream button, movie recording button in the front of the camera, and a tripod screw hole for vertical shooting.
Dual Pixel CMOS AF II for quiet and smooth AF.
Ability to shoot 4K crop at 60fps and YCC 422 10bit.
Compatibility with the newly launched RF-S14-30mm F4-6.3 IS STM PZ, the first RF-S lens with built-in power zoom.
Four different methods of livestreaming: UVC/UAC, HDMI, Camera Connect, and Live Switcher Mobile multi-camera.
APS-C sensor and DIGIC X image processor for rich bokeh.
Image creation consistent with Cinema EOS with five presets for editing, such as Canon Log 3.
Creators are not one-size-fits-all, and EOS R50 V was built through creator feedback to make content creation easier. With modern design elements, customization options, and a new lens bundled together, the EOS R50 V is destined to be in your gear bag.
Pricing and Availability
The Canon PowerShot V1 is scheduled to be available in April 2025 for an estimated retail price of $899.99.* The Canon EOS R50 V is scheduled to be available in April 2025 for an estimated retail price of $649.99* for the body only and $849.99* with the RF-S14-30mm F4-6.3 IS STM PZ. For additional information, please visit usa.canon.com.
Sony has finally announced the VENICE Extension System Mini. The main highlight is its form factor—as usual, it is very portable and able to record 8K videos, weighs approximately 0.54 kg, and is very easy to carry for some special kinds of shoots where portability is the main factor.
This system Mini is compatible with VENICE 2 6K and 8K models, and most importantly, the VENICE 2 6K model is now able to capture 8K resolution with this system, although it will require a system software update.
The improvement that has been made in the System Mini is that you are now getting approximately 4.5m (14 feet) of cable, allowing you to move a greater distance while keeping the head unit of the camera along with the lens only.
The System Mini is based on E-mount, and you can easily use E-mount lenses. It also supports hybrid autofocus with Eye AF tracking. Additionally, you can use PL-mount lenses with the help of an adapter, which in turn also transfers the lens metadata through the input port.
The VENICE 2 System Mini will be showcased at the upcoming NAB 2025 show in Las Vegas, beginning on April 6, 2025. The camera is now available for pre-order at B&H stores.
The LUMIX DC-S1R Mark II is a mirrorless camera from the LUMIX S series, announced at the end of February 2025. It is equipped with a newly developed 44MP BSI sensor and a processor that supports high-speed processing using L2 technology. It supports 40 frames per second continuous shooting and 8K 30p video recording. As an alternative to expensive stacked CMOS sensors, it has high-speed performance.
At the same time, it is significantly smaller and lighter than the previous model, and the selling price, at least in North America, is cheaper. Furthermore, it has a high-resolution EVF and a tilt + vari-angle monitor, but the body size is close to that of the S5II.
Key points of Panasonic S1R II Test Results
According to the Photons to Photos test results, NOISE REDUCTION is applied to RAW from ISO 6400 onwards, which results in higher test scores, but caution is advised if you value detail over noise. The results are very similar to DPReview’s studio scene test.
On the other hand, unlike the previous model, which applied noise reduction even at base ISO, it seems that the noise reduction process is not applied at low ISOs. If you are shooting stars, etc., it seems that there will be no problem if you keep the ISO up to around 5000.
While the peak values are lower than other high-resolution sensors, the difference in performance is not surprising, and in comparison, the results are better from ISO 6400 onwards (thanks to noise reduction).
Maximum PDR
Low Light ISO
Low Light EV
S1RII
11.08
8139
11.35
S1R
11.37
4522
10.50
α7R V
11.70
5244
10.71
α1 II
11.61
5768
10.85
α1
11.36
5215
10.70
R5 II
11.45
4846
10.60
R5 II ES
10.92
4392
10.46
Z 7II
11.60
4157
10.38
Z9
11.30
4144
10.37
Please note that the DC-S1R only performs better where the noise reduction is performed on the RAW data.
Panasonic S1H camera gets a firmware update, the main update is minor, the camera adds a popup message when using a Panasonic collapsible lens to alert users, and improves the overall stability of the response speed of the camera.
One of the best budget cameras to record 6K open-gate recording, earlier or when it was announced, there was a 4K 15-minute recording limit in the camera, and for which it was criticized at the time of announcement. But Panasonic listened to us, and on October 9, 2024, they released their first firmware update, version 1.1, and they removed the recording limit. Now, it does not have any recording limit in 4K 30fps mode or even in open-gate recording as long as your memory card isn’t full or the camera doesn’t face any kind of overheating issues.
But again, practically, the overheating performance of this camera is very good, and users are quite happy with the usage of this camera. Just keep in mind the camera is using the first generation of hybrid autofocus similar to what was used with the Panasonic S5, S5II, and S5IIX, so autofocus tracking is not on par with Canon and Sony cameras.
In the latest firmware update, version 1.3, they have again tried to optimize the overall operational speed of the camera. Additionally, they fixed a problem where when connecting to a Wi-Fi network, the password was always required. Now, it has become a one-time entry, so overall connectivity performance has been improved along with the operational speed of the camera.
– When directly connecting the camera and smartphone via Wi-Fi, the connection has been changed to always require password authentication. (The [Wi-Fi Password] menu has been removed.)
– The [TKIP] encryption method is no longer supported when connecting to Wi-Fi via an access point.
– The [No Encryption] option in network authentication is no longer supported when connecting to Wi-Fi via an access point.
– The image transfer feature to PC via Wi-Fi has been removed. (Only European/Ukrainian models)
Other improvements
– The startup speed when powering on has been improved.
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